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TZID:Europe/Vienna
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DTSTART:20001029T030000
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BEGIN:DAYLIGHT
DTSTART:20000326T020000
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BEGIN:VEVENT
UID:20260529T151218Z - 61735@eupp282
DTSTART;TZID=Europe/Vienna:20260529T170000
DTEND;TZID=Europe/Vienna:20260529T210000
CREATED:20260529T151218Z
DESCRIPTION:<a href="https://www.funkhaus.wien/event/i-can-no-longer-rememb
 er-and-neither-can-you-296">I can no longer remember and neither can you</
 a>\nFilm Installation: I can no longer remember and neither can you Openin
 g: 29 May 2026\, 17:00–21:00 | Funkhaus Foyer By Lucca Lutzky and Juli B
 ierich Taking as its point of departure Austrian writer Ingeborg Bachmann'
 s 1955 radio play The Cicadas\, the work engages with sound\, memory\, and
  the collective longing for forms of transgression and disappearance. Duri
 ng a summer residency in 2025 with NeverAtHome\, Lutzky and Bierich gather
 ed a group of twenty participants of different ages and backgrounds to col
 laborate through a series of conversations\, sonic exercises\, and perform
 ative interactions. Participants were invited to describe and imitate soun
 ds\, distorting personal memories through playful instructions that gradua
 lly displaced language into gesture\, rhythm\, and abstraction. A NeverAtH
 ome exhibition at Funkhaus Wien.
DTSTAMP:20260529T151218Z
LOCATION:Funkhaus Wien Betrieb FlexCo\, Argentinierstraße 30b\, 1040 Wien\
 , Austria
SUMMARY:I can no longer remember and neither can you
X-ALT-DESC;FMTTYPE=text/html:<a href="https://www.funkhaus.wien/event/i-can
 -no-longer-remember-and-neither-can-you-296">I can no longer remember and 
 neither can you</a>\nFilm Installation: I can no longer remember and neith
 er can you Opening: 29 May 2026\, 17:00–21:00 | Funkhaus Foyer By Lucca 
 Lutzky and Juli Bierich Taking as its point of departure Austrian writer I
 ngeborg Bachmann's 1955 radio play The Cicadas\, the work engages with sou
 nd\, memory\, and the collective longing for forms of transgression and di
 sappearance. During a summer residency in 2025 with NeverAtHome\, Lutzky a
 nd Bierich gathered a group of twenty participants of different ages and b
 ackgrounds to collaborate through a series of conversations\, sonic exerci
 ses\, and performative interactions. Participants were invited to describe
  and imitate sounds\, distorting personal memories through playful instruc
 tions that gradually displaced language into gesture\, rhythm\, and abstra
 ction. A NeverAtHome exhibition at Funkhaus Wien.
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