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TZID:Europe/Vienna
BEGIN:STANDARD
DTSTART:20001029T030000
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DTSTART:20000326T020000
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BEGIN:VEVENT
UID:20260901T195508Z - 43131@eupp282
DTSTART;TZID=Europe/Vienna:20260912T190000
DTEND;TZID=Europe/Vienna:20260912T220000
CREATED:20260901T195508Z
DESCRIPTION:<a href="https://www.funkhaus.wien/event/cipollino-313">Cipolli
 no</a>\nPerformance by Niels Poiz and Bianca Millan. The performative proj
 ect takes Gianni Rodari’s classic children’s book The Adventures of Ci
 pollino (1951) as its point of departure\, while deliberately avoiding ada
 ptation. Instead\, the narrative gradually dissolves into images\, voices\
 , memories and gestures. In a darkened room\, the audience moves over the 
 course of two hours through shifting moments of video projection\, sound\,
  darkness and live performance. Three video works by Paulo Wirz frame the 
 performances by Niels Poiz and Bianca Millan\, whose flashlight gradually 
 reveals the space and its presences\, including Bert McLean’s painting P
 otato Painting. The result is an atmospheric environment that asks what re
 mains of a story once its plot disappears. Supported by the Instituto Ital
 iano di Cultura.
DTSTAMP:20260901T195508Z
LOCATION:Funkhaus Wien Betrieb FlexCo\, Argentinierstraße 30b\, 1040 Wien\
 , Austria
SUMMARY:Cipollino
X-ALT-DESC;FMTTYPE=text/html:<a href="https://www.funkhaus.wien/event/cipol
 lino-313">Cipollino</a>\nPerformance by Niels Poiz and Bianca Millan. The 
 performative project takes Gianni Rodari’s classic children’s book The
  Adventures of Cipollino (1951) as its point of departure\, while delibera
 tely avoiding adaptation. Instead\, the narrative gradually dissolves into
  images\, voices\, memories and gestures. In a darkened room\, the audienc
 e moves over the course of two hours through shifting moments of video pro
 jection\, sound\, darkness and live performance. Three video works by Paul
 o Wirz frame the performances by Niels Poiz and Bianca Millan\, whose flas
 hlight gradually reveals the space and its presences\, including Bert McLe
 an’s painting Potato Painting. The result is an atmospheric environment 
 that asks what remains of a story once its plot disappears. Supported by t
 he Instituto Italiano di Cultura.
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